Here are my top 10 photos of the year, in chronological order:

A friend asked me to shoot his Porsche 996 Turbo.

The Hollywood Sumer Tour – A group of young dancers who come to LA to learn how to be a professional dancer in Hollywood.

Pinar Eris – Winter Collection. I was shooting some catalog images and wanted to do some shots for myself as well.

From a band shoot for The Swellers who are big fans of Venture Brothers. I later shot them on tour with Paramore and Paper Route (pics here).

A shot of my brother from the same day as The Swellers shoot.

At the LA Zoo.

My friend Aaron at MotorSportLens.com took me to shoot some racing. It was a big learning experience.

What a way to end the year. One of the dancers from The Hollywood Summer Tour that I shot the previous year was in LA and I asked her to shoot. I was thinking some studio dance shots would be nice, but she wanted to do something sexy on the beach. Not a problem. More from this shoot here.

Hayley joins The Swellers on Stage

Last week I was fortunate enough to shoot The Swellers and Paper Route when they opened for Paramore at the Hollywood Palladium in LA. All three bands put on great shows. It was the last show of the US tour and the last show with The Swellers, so I stuck around and shot some farewell photos of all the bands together. Paramore is by far the largest band that I have shot and their fan base is much bigger than I imagined. For example, six of the photos I shot after the show are on Paramore’s website. In 24 hours, the photos have a combined 31,614 views. In contrast, my Flickr account which has 1,300 images including scantily clad women, has 27,400 views in a little under two years. Looks like I need a hit record.

Since this was a big show, I decided to rent the Nikon 14-24 f2.8 wide angle lens instead of my usual 12-24 f4. I had rented it before, but wasn’t terribly happy with it. This show confirmed my discontent with the lens. While the lens is tack sharp, the elements are just too big and bulky for a live show. Focusing is fine for landscape or portraits, but when it is dark and you need instant focus, this lens is too slow.  Another photographer traded his 24-70 f2.8 with me for a song and  most of what I posted from the photo pit was shot with that lens.

Jonathan - The Swellers

After the three song limit shooting from the photo pit, I switched to my Nikon 80-200 2.8 AF-S to shoot from the crowd.

Nick - The Swellers

Hayley from Paramore and Nick from The Swellers

Paper Route

Paper Route

Paper Route

Some post-show farewell photos. These were shot with the Nikon 14-24 and a SB-800 on camera.

Farewell photo from the Paramore tour 2009.

Hayley Williams from Paramore and Anto Boros from The Swellers

Next show – Less Than Jake with Fishbone and The Swellers.

Selects from each band after the jump.

The A.K.A.s

The Swellers

Fear Nuttin Band

Streetlight Manifesto